Dance for Parkinson’s Professional Development Opportunity
Two days' professional development for dance artists, musicians, health professionals and other practitioners interested in sharing an open dialogue about artistic approaches to dance and music for people with Parkinson’s within the professional environment of the dance studio.
Date: Saturday 7 and Sunday 8 December 2013, 10am – 5pm
Venue: Fire Fit Hub, Upper Warwick St, Liverpool, Merseyside L8 5TS
The course aims to enhance participants’ practice to lead and develop their own dance, music and cultural activities for people with Parkinson’s.
“An excellent course led by a great team of artists and Parkinson's specialists.” Participant, Oxford course
The programme will cover:
• The ENB approach and key ingredients for best practice based on its successful national Dance for Parkinson’s programme www.ballet.org.uk
• What is Parkinson’s? Guest speaker from Parkinson’s UK
• Building class content, tools and strategies
• Music, and the relationship between dance and music for Dance for Parkinson’s
• Inclusive and person centered approach to teaching
• Overview of award-winning research by University of Roehampton
• The benefits of dance for people with Parkinson’s
• Setting up a class, practical considerations and resources
“Thanks for a professionally run, thought-provoking and educational weekend” Participant, Oxford course
How to book:
Contact Rachel Rogers at MDI, firstname.lastname@example.org 0151 708 8810 to reserve your place and for a booking form.
Booking closes Monday 2 December 2013
*This two day course will include practical dance elements - please bring comfortable clothing that you can easily move in.
PROFESSIONAL CLASS WITH GUEST ARTISTS
MDI's professional class takes place once a month on a Friday from 10am to 11.30pm, allowing artists a chance to practise technique and stretch themselves in a class designed for their level of skill and agility, as well as connect with other professional dancers.
Maxine Brown, MDI's community dance artist (African Peoples' Dance) will be leading the class on Friday 13 December. The class will be structured to allow dancers to develop a deepened awareness of their body through a journey that is facilitated through rhythm, movement, and breath.
Dancers can experience the grounding of weight and rhythm, utilising movement from West Africa and the West Indies.
This class will take you through dance that will enrich your spirit, and allow you to enjoy a graceful and exciting way of expressing your artistic self.
Moving Dance Forward
Pledge your support to this bold shared vision for dance in the North West. Like our new Facebook page dedicated to sharing updates on the joint activity planned by MDI and DiGM in Manchester, debate on how we can realise our vision and information on opportunities for dancers and chorographers in the North West. www.facebook.com/movingdanceforward
Over the last three years MDI have been a major contributor to the creation and development of my work. Through offering many residencies and creative opportunities I have been able to define my artistic voice and really embed my choreographic practice. In 2012, MDI provided me with a rare opportunity to create a new, innovative project (LUSTRUM) which has gone on to be a major project throughout the UK and is being hosted by many other National Dance Agencies. Not only have MDI provided constant support to developing my work, but they have also provided me with numerous performance opportunities at festivals such as LEAP and City Steps which has exposed my work to greater audiences and other organisations, resulting in me receiving great feedback and gaining further support to showcase my work. MDI brokered the relationship between myself and Taciturn Dance Company where I worked with the company and have since become a collaborator and big supporter of their work. Through working with MDI I have been able to really connect with the North West where my work really seems to sit well. It is fair to say, that without the constant support of MDI, I would not be the artist I am today.
Artist Joseph Mercier and producer Clara Giraud
MDI has supported us in a number of very valuable ways over the past two years. This has been through a number of informal conversations with Karen Gallagher and other members of the MDI team and two more formal ways: in-kind mentorship from Karen Gallagher for Cruising, Clubbing, F*cking, and a weeklong residency at MDI to develop Throb which included further mentorship support from Karen.
MDI’s support has been very important in my development as an artist, both in terms of my career and in terms of my artistry. Karen’s interventions in rehearsal as a mentor for two of our projects, Cruising, Clubbing, F*cking and Throb have been invaluable: her hands-on approach to feedback has both challenged and inspired me and has made a considerable impact on the quality and integrity of my work. As an early career artist this is a relationship I consider extremely valuable.
Our weeklong residency at MDI in December 2012 enabled us to develop and create our successful piece Throb, which premiered at The Place in January 2013, with very positive reviews and feedback. The unlimited access to the studio, mixed with MDI’s hands-off approach to their supported artists, meant we felt free to develop and create at our own pace and work according to the needs of the piece. This was an extremely productive week, and the success of the piece would not have been possible without MDI’s support.
One particular aspect of dealing with artists the team at MDI does exceptionally well is that they understand that different artists have different needs. This means that they listen to the particular needs of the artist and/or project and work to find a way to answer those particular needs with the resources they have. In our case, one particular need we identified was mentorship. Another was rehearsal space. MDI answered both these needs and it has had a considerable impact on my artistic development and the reach of my work to audiences. I wish it was a model other dance and performing arts organisations would follow.